Materiality/Immateriality in Photography
Editors
Uwe Schögl, Ulla Fischer-Westhauser
Content
Peter Weiermair
Reflections on Materiality in Photographic Production – Looking Back at a Discourse
Hubertus von Amelunxen
Im | materialities
Andreas Spiegl
Anatal and Digilogue Photography: Different but Indistinguishable
Danielle Leenaerts
The Modes of Inscription and Appearance of the Still Image in Beat Streuli’s Work
Reflections on the Photographic Media
Klaus Honnef
Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper
Caroline Fuchs
Anticipation and Reality
A Re-Evaluation of Autochrome Projection
Amélie Van Liefferinge
Between Art, Science and Education: The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933)
Thomas Freiler
The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being
Moritz Neumüller, Andreas Reichinger
From Stereoscopy to Tactile Photography
Monika Schwärzler
The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva
Carl Aigner
Photo Digitality in the Area of Conflict
Between the Material and Immaterial
A Review as a Preview
Jeanna Nikolov-Ramírez
Pictorial Spreading – On Immaterial Forms of Collecting and Sharing Images
Ilka Becker
Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital